Christoph Bruhn has been quietly creating his own brand of music in the Twin Ports for the past four years. Until only recently, he could have been labeled purely an electric guitarist, but has transitioned to the world of fingerpicking the dreadnought and transitioned well.

His songwriting takes on elements from all over the world with the ragtime feel of “Das Kelylied”, the medieval-Persia flavor of “Arabian Writing on Plaster Walls”, and the structure-defying “Fanfare.”