Matthieu Saladin is artist, musician and researcher. His practice takes place in a conceptual approach. He is interested in the history of artistic forms and the relationships between art and society. He has got PhD in Aesthetics (University of Paris 1 – Panthéon-Sorbonne): his research is on aesthetics of experimental music and sound art. He is lecturer in philosophy of art at the Haute Ecole des Arts du Rhin, editor in chief of Tacet, Experimental Music Review and works in Volume! and Revue & Corrigée.