Всенощное Бдение (Vêpres Et Matines)

Artists

Album Info

Release Date: 1957

Label: Editions Studio S.M.

Office Russe Orthodoxe

NOTE: Side A had four bands and side B has five, though it is not obvious precisely where the tracks begin and end. For clarity's sake the performance is divided into a single track per featured choral work to most accurately reflect the credits as noted in the liner notes.
A1: (motif grec.)
A3: (mélodie des Monastères de Kiev-Petchersky)
A4: (ton 8 - motif usuel)
A5: (ton 2 - motif Znamenny)
A6: (musique de Kastalsky)
A7: (ton 6 - motif Znamenny - harmonisation Kastalsky)
A8: (ton 2 - motif Znamenny)
A9: (ton 6 - motif de Kiev)
A10: (ton 4 - motif grec, harmonisation Alexandre Arkhangelsky)
A11: (musique de Paul Tchesnokoff)
B1: (musique de Paul Tchesnokoff sur motif Znamenny)
B2: (mélodie de Monastère de Walaam)
B3: (ton 8 - motif Znamenny)
B4: (6e ton - musique d'Alexandre Arkhangelsky)
B5: (ton 8 - musique de Lvowsky)
B6: (motif usuel)
B7: (mélodie de Monastère de Walaam)
B8: (motif usuel)
B9: (musique de Paul Tchesnokoff)

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