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Tracks In This Album
The Cross Fade (The Turning Point To A Cross Fade In A Carpark) - Omit
The Outcast (Rejection Enforcement Takes Hold) - Omit
The Rut (The Point Of Recall Is No Longer The Grasp Of Stability As A Result Direction Can Never Be The Same) - Omit
Restraint (Point One) - Omit
Recess (Point Two) - Omit
Release (Point Three) (Myself Beyond The Point As A Real Person In Three Points) - Omit
Self-Separation Through Dislocation (State One) - Omit
Self-Separation Through Dislocation (State Two) - Omit
Release Of Dislocation (State Three) (Absent Forms Without Any Resentment) - Omit
Release Of Dislocation (Through Desperation) (State Four) (One Road Leads To Another But Never At The Same Forseeable Way; The Carpark Is A Lie, The Formation Of The Release Is A Catch) - Omit
The Turning Point (The Cycle Continues In One Direction) - Omit
Towards The Centre (Out Across Both Ways Before Or After There Is No Difference) - Omit
Birth Of Fade Out (At 6Am On A Sunday Morning) - Omit
Remission Of Self-Separation Through Dislocation - Omit
Seclusion (Outlook One) - Omit
Reclusion (Outlook Two) (From The Walls Of Seclusion) - Omit
Reference Outside (Outlook Three) - Omit
1st Divider (In The State Of Three Doors The Bridging Of One Throught Direction Is To Remain Yet To Another; To Each Former Outlook, The Perspective Becomes Even More Abstracted Beyond Any Internal Level) - Omit
The State Of Change (Hallway To The Kitchen) - Omit
2Nd Divider (The Divider Of The Hall Outside The Foundations Of The Kitchen) - Omit
8.30Pm (On A Saturday Night The Kitchen Aids Remission In The Short Fall Into The Realm Of Obscurity, Well Before Any Outside Interference) - Omit
The 1st Self-Less Reflection - Omit
9.26Pm (Re-Birth Of Self Within The Lifeform Of The Kitchen, Forgetting All Past Experienced Cycles) - Omit
The 2nd Self-Less Reflection - Omit
Resectioned From Despair (Lost At The Opening From A Location Without Breathing) - Omit
The 3rd Self-Less Reflection (The Breathing Of One Extension Now Closes In On Itself, Beyond That Is Nothing) - Omit
End-Dip (Mind Odyssey/State One) (Lost Of Any Relation To A Degree Of State, The Flow Moves Onwards) - Omit
The Act (Mind Odyssey/State Two) (Sub-Movement Towards The Re-Enactment Until A Point Of Unrecognisable Sickness Overrides And The Premonition Breaks Down As Before Into A Mass Of Unresolved Emotions) - Omit
Odyssey To Fade Out (Mind Odyssey/State Three) (Standing From The Back Of A Carpark To The Drop Out Of All Life; The Systems Of Compulsion, One Move Sucks To Another, The Self Of Formations As To Point One's Self In One Major Direction. It Is A Move To Total Inner Selfless Insight; The Meaningless Flow Of Movement No One Vehicle Can Be Contained As A Factor To The End Drive Of A Carpark. If Any Need Exists Than It Is A Need That Is Compounded. This Passage Can No Longer Be Sustained. Disillusioned By A Growing Emptiness That Invalidates All Past Reference. The Reconnection Now Becomes Impossible To A Point Of Moving In Or Straightening Out - Omit
The Fade Out (In The Black State All Direction Is Lost Void To All Extensions Inside The Four Walls Of Selfless Contradiction, Closing Down All Aspects Of Drive To A Point Of Decimation. There Nothing Remains As Relevant.) - Omit
Gun-Down (Objective Aggression With The Aid Of A Rifle. The Taking Out Of All Meaning, The Breaking Of All Self Control.) - Omit
Sub-Fadeback (The Loss Of Control Now Takes Over; The Beginning Of The Present Out-State Cannot Continue Onward. There Will Be Only Decay.) - Omit
The Lost State (Entropy/Descent Back To The Carpark, As An Intervention To Dissolution. The Beginning Of The Lost State Throughout One Long Transgression To Another; There Was No Real Different From One To The Other.) - Omit
Egress (Towards Retraction Of All Points) - Omit
The Final Call (Resectioned Towards The Drive To Cross Fade, Before Absorption.) - Omit
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