Gran Baile Con...

Artists

Album Info

Release Date: 1997-05-15

Label: Rather Interesting

Triggering the Latin subconscious...

1 El Coco Baile [The Coconut Dance] - Invitado especial artista desconocido tocando un solo de bateria absurdo [Unknown special guest artist playing an absurd drum solo]
2 Supertropical - Programación adicional por Atom Heart
3 Chocolatina - Titulo inspirado por Arielle [Title inspired by Arielle]
4 Upper Mambo / Lower Funk - Apasionado rap Latino por Jorge Gonzalez [Passionate Latin rap by Jorge Gonzalez]
5 Pisco Control - Solo de Moog por Lisa Carbon
6 Mambo.Val - Saludos a señor Popp y señor Oschatz [Greetings to Mr. Popp and Mr. Oschatz]
7 La Noche Cool [The Cool Night] - Titulo indicido por San Pedro [Title induced by San Pedro]
8 Suavito [Very Smooth] - Choros por Arielle [Chorus by Arielle]
9 Musica Moderna - Solo de piano programado por Lisa Carbon, flauta tocada por Ricardito Tambo [Piano solo programmed by Lisa Carbon, flute played by Ricardito Tambo]
10 Diarios Clave [Daily Claves] - Invitado especial Chico Rodriguez (clave canal izquirdo), MPC 3000 (clave canal derecho) y MCH (scratiching de billetera Japonesa/Mono) [Special guest Chico Rodriguez (calve left channel), MPC 3000 (clave right channel) and MCH (Japanese ticket scratching /Mono)]

Todas las composiciones, arreglos, instrumentos y programacion por Señor Coconut excepto cuando es indicado.
Grabado en 'Mira Musica' studio uno/Santiago de Chile 1997, excepto "Chocolatina", "Suavito" y "Mambo.val" grabado en el famoso 'SEL I/S/C' 1996/97.
Dirección de Arte Lisa Carbon.
Diseño por Hugo De Naranja y Linger Decoree. [Design by Hugo De Naranja and Linger Decoree]
Foto Don Pedro De Dinero Voigt. [Photo Don Pedro De Dinero Voigt]
Maquillaje Michelle Concepción
Oye mestiza!

Ayudaron: [With help from: / Supported by:] Dandy Jack, Arielle, Cecilia Aguayo, Rodrigo Garcia, Antonio Monasterio & Ricardo Villalobos

Dedicado a [Dedicated to] Antonio Machin

Made in EEC
Limitation: 1400

Packaging:
Comes with a transparent disc inlay tray, allowing an additional picture sleeve to be visible beneath it.

Recording Info:
The actual/programmed total time for track 10 is 9:30. However, the song ends at the 6:54 mark, leaving the next 2:27 minutes as blank space/dead air. Then at its 9:21 mark, there is a short burst of [several of] the samples used on this album. The correct track times for this particular release are as appear above.

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