"Amputated Brain Stem" 1993-2000 Discography

Artists

Album Info

Release Date: 2009

Label: Chaotic Noise Productions

Track 1 from "Audio Terrorism" compilation CD (C.N.P. Records 1998)
Track 2 from "BBBBLLLLEEEEAAAAUUUURRRRGGGGHHHH" compilation 7" (Slap A Ham Records 1997)
Track 3 from "A Product of Six Cents" compilation 7" (Six Cents 1996)
Track 4 from "Accidental Double Homicide Vol.4" double 7" compilation (Satan's Pimp 1997)
Track 5 from "Supersonic Sounds from the Fuck You Movement" compilation CD (C.N.P Records 2000, recorded 1997)
Tracks 6-12 from the "Cage" 7" (Fetus Records 1993)
Tracks 13-16 from the split 7" with Despise You (Slap A Ham Records 1994)
Tracks 17-21 from the split 7" with Grief (Bovine Records 1994)
Tracks 22-33 from the split LP with Cripple Bastards (Bovine Records 1996)
Tracks 34-38 from the split 7" with Dahmer (Yellowdog 1997)
Track 39 from "Kamikaze Attaked America" compilation CD/LP (Sound Pollution 1995)
Track 40 from "The Good, the Bad and the Ugly" triple 7" compilation (Insolito 1998)
Track 41 is an unreleased Napalm Death cover
Track 42 is from "Cry Now, Cry Later Vol.3" double 7" compilation (Pessimiser / Theologian 1995)
Track 43 is an unreleased collaboration with Facialmess
Tracks 44-46 from "Nothing's Quiet on the Eastern Front" CD/LP compilation (Reservoir 1996)
Tracks 47-49 from "Supersonic Sounds from the Fuck You Movement" compilation CD (C.N.P. Records 2000, recorded 1997)
Tracks 50-59 from the 1993 demo, also released on 7" (Sludge Records)
Tracks 60 is from the split 7" with Misopsychia (Nat Records 1997)
Track 61 is from "Speed Freaks Vol.3" compilation 7" (Knot Music 1996)
Track 62 is from "Monsters in My Head" compilation 7" (Big City Bastards Records 1996)
Tracks 63-64 from collaboration 7" with Facialmess (Clean Plate 1997)

All songs recorded and mixed by Chuck Crush at Southwest Recording in Roanoke, VA from 1993-1997.
Discography assembled partly at Southwest Recording in 2000 and completely assembled and mastered at Etching Tin Richmond, VA Jan. 2008 by John Chambers.