Modern Jazz Voicings, Ted Pease, Ken Pullig, Free Album

Tensions (Harmonic Tensions) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Tensions (Tensions And Triads) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Tensions (Tensions And Sixth Chords) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Tensions (Dominant Seventh (Sus4)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Reharmonizing Specific Approach Note Patterns - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Soli Voicings (Four-Way Close, Double Lead (8vb)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Soli Voicings (Drop 2, Double Lead (8bn)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Soli Voicings (Drop 3, Double Lead (8bn)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Soli Voicings (Drop 2 + 4, Double Lead (8bn)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Soli Voicings (Drop 2, Double Lead (8va)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Soli Voicings (Drop 2 + 4, Double Lead (8va)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Lead Range - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Uses Of Spread Voicings To Harmonize Sustained Or Percussive Melody Notes - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Uses Of Spread Voicings Five-Part Spread Background) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Uses Of Spread Voicings Four-Part Spread Background) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Uses Of Spread Voicings In A Five-Part Tutti) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Comparing The Techniques Four-Part Drop 2) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Comparing The Techniques Five-Part Drop2-Double Lead 8vb) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Five-Part Spreads (Comparing The Techniques Five-Part Drop 2-Double Lead 8vb Mixed With Five-Note Soli Voicings) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Exercices - Modern Jazz Voicings - Ted Pease, Ken Pullig

Avoid Notes - Modern Jazz Voicings - Ted Pease, Ken Pullig

List Of Tonal Chord Scales (Symmetric Diminished Scale) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Voicings In Fourths (Voicings In Fourths As A Soli Technique) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Voicings In Fourths (Musical Examples) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Voicings In Fourths (Four-Part Examples Using All Adjacent Fourths) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Voicings In Fourths (Four-Part Voicings In Fourths Inverted Four-Part Voicings In Fourths) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Voicings In Fourths (Constant Structure Fourths Over A Pedal Point) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Voicings In Fourths (Three-Part Voicings With A Perfect Fourth And A Major Second) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Voicings In Fourths (Three-Part Voicings With An Augmented Fourth And A Minor Second) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Voicings In Fourths (Three-Part Voicings In Fourths Over Pedal Points) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Four-Part Clusters (Similar Sounding Four-Part Voicings) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Three-Part Clusters (Similar Sounding Three-Part Voicings) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Using Clusters (For Tightly Spaced Voicings On The Low Notes Of A Melody) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Using Clusters (For Background Writing) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Using Clusters (On Higher Lead Notes To Provide Brilliance) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Using Clusters (Do Not Use Clusters To Harmonize An Active Eighth-Note Passage) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Using Clusters (To Emphasize Percussive Melody Notes) - Modern Jazz Voicings - Ted Pease, Ken Pullig

More Applications Of Clusters (Version 1 - Three Parts) - Modern Jazz Voicings - Ted Pease, Ken Pullig

More Applications Of Clusters (Version 2 - Four Parts) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Six-Part Upper Structure Triad Voicings In A Modal Context - Modern Jazz Voicings - Ted Pease, Ken Pullig

Three-Part Upper Structure Triads - Modern Jazz Voicings - Ted Pease, Ken Pullig

Uses Of Upper Structure Triads (To Emphasize The high Point Of A Phrase) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Uses Of Upper Structure Triads (For Endings) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Uses Of Upper Structure Triads (To Harmonize Percussive Figures) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Uses Of Upper Structure Triads (Melodies That Appergiate Notes From An Available Upper Structure Triad) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Basic Six-Part Writing (Four-Way Close-Double Lead (8vb) And Double Second Voice (8vb)) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Basic Six-Part Writing (Omit 2 Voicing On Top Overlapping A Four-Way Close-Double Lead (8vb) Below) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Basic Six-Part Writing (Four-Way Close-Double Lead (8vb) And Drop 2-Double Lead) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Six-Part Spreads - Modern Jazz Voicings - Ted Pease, Ken Pullig

Six-Part Tutti Writing - Modern Jazz Voicings - Ted Pease, Ken Pullig

Six-Part Voicings In Fourths (Lead Doubled 8vb) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Six-Part Voicings In Fourths (Lead Doubled 8va) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Six-Part Voicings In Fourths (Lead Doubled 15vb) - Modern Jazz Voicings - Ted Pease, Ken Pullig

Modern Jazz Voicings

Ted Pease, Ken Pullig

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