Artists
Album Info
Release Date: 1991Issued as a cardboard long box containing:
- 3 CD in individual standard jewel case
- a 68-page box-sized book, "Clash On Broadway" with liner notes, pics and credits
- a 36-page CD booklet "The Clash Lyrics" with publishing credits
Several track times are listed incorrectly on the release:
∙2-17 Death Or Glory (2:54 on release, actually 3:57)
∙2-18 Clampdown (2:49 on release, actually 3:51)
∙3-7 Broadway (5:46 on release, actually 4:57)
∙3-10 Stop The World (2:23 on release, actually 2:35)
Back cover of the box and of the cases:
© 1991 Sony Music Entertainment Inc./ ℗ 1991 Sony Music Entertainment Inc.
Manufactured by Epic, a division of Sony Music
Discs:
© 1991 Sony Music Entertainment Inc.
℗ 1977, 1978, 1979, 1980, 1981, 1982, 1991 Sony Music Entertainment (UK) Ltd.
68-page book:
1-1, 1-2: Demo recordings
1-3: A-side single version (U.K.)/ Originally released on The Clash (U.S.)
1-4: B-side of "White Riot" single (U.K.)
1-5 to 1-7, 1-9, 1-11, 1-14: The Clash
1-8, 1-10, 1-12: The Clash (U.K.)
1-13: The Clash (U.K.)/ Black Market Clash (U.S.)
1-15: New Musical Express Flexidisc (U.K.)/ Black Market Clash (U.S.)
1-16: A-side single (U.K.)/ The Clash (U.S.)
1-17: A-side single (U.K.)/ The Clash (U.S.)
1-18: B-side of "Complete Control" single (U.K.)/ Black Market Clash (U.S.)
1-19: B-side of "Clash City Rockers" single (U.K.)/ The Clash (U.S.)
1-20: B-side of "(White Man) In Hammersmith Palais" single (U.K.)/ Black Market Clash (U.S.)
1-21: A-side single (U.K.)/ The Clash (U.S.)
1-22: B-side of "English Civil War" single (U.K.)/ Black Market Clash (U.S.)
1-23: B-side of "Tommy Gun" single (U.K.)
1-24: Previously unreleased live recording from the Lyceum Ballroom, The Strand, London ([January 3] 1979)
1-25: Recorded for the motion picture 'Rude Boy'
2-1 to 2-4: Give 'Em Enough Rope
2-5: Previously unreleased from 'Give 'Em Enough Rope' sessions
2-6, 2-7: The Cost Of Living E.P. (U.K.)/ Double A-sided single included with The Clash (U.S.)
2-8: B-side of "London Calling" single (U.K.)/ Black Market Clash (U.S.)
2-9 to 2-19: London Calling
2-20: B-side of "Train In Vain" (Holland)/ Black Market Clash (U.S.)
3-1 to 3-7: Sandinista!
3-8: Previously unreleased live recording from Bond's International Casino, Times Square, New York ( 1981)
3-9: Previously unreleased from 'Sandinista!' sessions
3-10: B-side of "The Call Up" single
3-11: Previously unreleased mobile recording from Ear Studios, Peoples Hall, Prestonia, London (1981)
3-12: A-side single (U.K.)/ A-side EP (U.S.)
3-13: B-side of second release of "Should I Stay Or Should I Go?" single (U.S.)
3-14, 3-15: Combat Rock; Edited version
3-16, 3-17: Combat Rock; U.S. single versions
3-18: Combat Rock; Unedited version
3-19 is not listed
Front cover photo is of backstage at Bond's International Casino, June 1981
[Barnacle/Lanier credits according to the book "Passion Is A Fashion" by Pat Gilbert, pages 183/210]
36-page booklet:
© 1977 Nineden Ltd. (PRS): 1-1 to 1-10, 1-12 to 1-16, 1-18
© 1978 Nineden Ltd. (PRS): 1-17, 1-19 to 1-21, 1-23, 1-24 to 2-5
© 1979 Nineden Ltd. (PRS): 2-6, 2-7, 2-9, 2-11 to 2-19
© 1980 Nineden Ltd. (PRS): 2-20, 3-2 to 3-6, 3-10
© 1981 Nineden Ltd. (PRS): 3-7, 3-8, 3-11, 3-12
© 1982 Nineden Ltd. (PRS): 3-13 to 3-18
1-11, 1-22, 2-8, 2-10, 3-1, 3-9, 3-19: no publishing credit
All rights in the U.S. and Canada controlled and administered by Virgin Music, Inc. (ASCAP)
Runouts:
Variant 3 has the same qty. and pattern of symbols for Disc 1 and 2 as Variants 1 and 2. Disc 3 pattern is same as Disc 2 from the same variants.
Matrix# is mirrored on the data side but can be read correctly on the text side
The DADC "D" logo is embossed on the text side