Artists
Album Info
Release Date: 2017Label: Groovie Records
The tracks on this album originally appeared on the Half A Cow cd compilation "That's Life" (hac113). They were taken from the cd and used in the same running order.The liner notes by Nick Warburton and photographs were also lifted from the Half A Cow compilation and used without permission.
The recordings were made in mid-1965 at Lloyd Carrick's Parents' House; Late 1965 at The Fat Black Pussycat After Hours; Early 1966 at Trend Studios, Melbourne; Feb 19, 1966 Live At The Fat Black Pussycat.
Groovie Records blurb:
"Isolated geographically in the southern Pacific Ocean, Australian rock musicians may as well have been plying their trade on another planet as far as North American, British and European audiences were concerned. Indeed, in terms of rock music per se, only the Bee Gees (who were primarily pop) and the Easybeats made any headway internationally, and only then once they’d relocated to the mother country.
Yet despite its vast distance from the all-important American and British markets, Australia gave birth to vibrant music scenes that delved deep into beat, R&B, punk and psychedelia. Many of the recordings from this period have found their way on to compilations over the years, most notably Raven Records’ superb Ugly Things and the noteworthy Sixties Downunder series. Thanks to the dedicated and exhaustive work of respected Australian music archivist Glenn A Baker, mastermind behind Raven Records, these priceless gems have provided a handy introduction to Oz legends like the Missing Links, the Purple Hearts and the Master’s Apprentices.
Less celebrated than many of their Australian contemporaries but arguably more significant in the creative stakes was Melbourne’s Wild Cherries. Where most Oz bands during those halcyon days blatantly wore their influences on their sleeves, the Wild Cherries were uniquely original and uncompromising in their delivery and execution. “Exciting, revolutionary excursions into a musical void with no concessions to commercial demands” is how Australian rock journalist Ian McFarlane describes the band’s music in his superb Encyclopedia of Australian Rock and Pop.
The 16 tracks are the ones that Australian labes didnt want to put out on a recording, to wild for them, so expect not more than that on this LP. The inside inner brings a ton of photos and texts by Nick Warburton.
If you are in 60's savage stuff as The Kinks or The Pretty Things or even in to more late 60's psicadelia, this is for you."
This is a comp with the unreleased record.