Attic Shrines
Cassette dungeon synth/dark ambient label from Atlanta, GA, US. Founded in 2017 by Infetu, originally for his own solo projects, later known as Ossa Coronata / Die Erlösung Vom Dasein, Sigil & Key, Magic Find / Death Find, Pallid Bloom, cassilda (2), Laþian, Voidbearer, Geolwe, etc
One part of L.B.R.P. project
Untitled releases from The Projection of the Astral Body, as well as the compilation "Various - V/A" made by him
Other related projects: Rusty Iron Spear, Sunken Tomb Of The Elders
Attic Shrines: "Every release is a collaboration. Attic Shrines is not a normal label. Someone wanting to release on AS must want their sound corrupted and their vision consumed. No releases have been issued as submitted. Most have had extensive input while recording and more than a handful have had direct production handled by me. I often manage some aspects of art, titles, effects, arranging, editing, mixing, mastering, dubbing, printing, stamping – up to the full process other than initial recordings. Music is sent in and then if willing, the collaboration begins so that the material can become a part of the AS body of work. Sometimes it’s me merely requesting that the artist record more material in a certain manner, other times it’s them fully sending in stems for deconstruction. As a rule I never add any recordings of my own to their material and only try to bring out aspects that exemplify the AS sound. If the artist is interested in becoming a part of Attic Shrines then they are committed to trying to find this sound together. The non-neutral producer and curator roles are not unusual in other genres, but in Dungeon Synth, and at a label level, it may be unique."
One part of L.B.R.P. project
Untitled releases from The Projection of the Astral Body, as well as the compilation "Various - V/A" made by him
Other related projects: Rusty Iron Spear, Sunken Tomb Of The Elders
Attic Shrines: "Every release is a collaboration. Attic Shrines is not a normal label. Someone wanting to release on AS must want their sound corrupted and their vision consumed. No releases have been issued as submitted. Most have had extensive input while recording and more than a handful have had direct production handled by me. I often manage some aspects of art, titles, effects, arranging, editing, mixing, mastering, dubbing, printing, stamping – up to the full process other than initial recordings. Music is sent in and then if willing, the collaboration begins so that the material can become a part of the AS body of work. Sometimes it’s me merely requesting that the artist record more material in a certain manner, other times it’s them fully sending in stems for deconstruction. As a rule I never add any recordings of my own to their material and only try to bring out aspects that exemplify the AS sound. If the artist is interested in becoming a part of Attic Shrines then they are committed to trying to find this sound together. The non-neutral producer and curator roles are not unusual in other genres, but in Dungeon Synth, and at a label level, it may be unique."